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    PUBLISHED WORKS

    Much of the music that John Fedchock has composed or arranged for his New York Big Band, along with works commissioned by the Woody Herman Orchestra and others, is published and readily available. In addition to the professional-level pieces Fedchock is most widely known for, there are also charts available for younger, developing jazz ensembles, written with a more moderate difficulty level in mind. For a list of John Fedchock's published arrangements, contact:

    KENDOR MUSIC, INC.
    21 Grove Street
    P.O. Box 278
    Delevan, NY 14042-0278
    USA phone: (716) 492-1254
    fax: (716) 492-5124

    WEBSITE: www.kendormusic.com
    EMAIL: info@kendormusic.com

    WALRUS MUSIC PUBLISHING
    P.O. Box 1910
    Pismo Beach, CA. 93448-1910
    USA phone: (805) 489-2055

    WEBSITE: http://www.walrusmusic.com
    EMAIL: EMAIL: Info@WalrusMusic.com

    SELECTED DISCOGRAPHY

    Live at the Red Sea Jazz Festival
    "Live at the Red Sea Jazz Festival"
    John Fedchock NY Sextet
    Capri Records - 2010

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    Up & Running
    "UP & RUNNING"
    John Fedchock New York Big Band
    Reservoir - 2007

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    and Order Now at

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    "NO NONSENSE"
    John Fedchock New York Big Band
    Reservoir - 2003

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    "Hit the Bricks"
    2000

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    "On The Edge"
    1998

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    "New York Big Band"
    1992

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    Continued Discography

    • Live At The Red Sea Jazz Festival
      (John Fedchock NY Sextet) Capri (2010)
    • Up & Running
      (John Fedchock New York Big Band) Reservoir (2007)
    • No Nonsense
      (John Fedchock New York Big Band) Reservoir (2003)
    • Hit The Bricks (John Fedchock) Reservoir (2000)
    • Kim Pensyl Quintet (Kim Pensyl Quintet)
    • On the Edge (John Fedchock New York Big Band) Reservoir (1998)
    • Live in London at Ronnie Scotts (Woody Herman Orchestra) NYJAM (1999)
    • In Good Company (George Rabbai) DBK Jazz (1998)
    • Absolute Trombone (Michael Davis) Hip-Bone (1997)
    • New York Big Band (John Fedchock) Reservoir (1995)
    • Evanescence (Maria Schneider Jazz Orchestra) Enja (1994)
    • Turandot (Bob Belden Ensemble) Blue Note (1992)
    • Fired Up (Lew Anderson Big Band) Sovereign (1992)
    • The Music of Sting (Bob Belden Ensemble) Blue Note (1999)
    • Treasure Island (Bob Belden Ensemble) Sunnyside (1990)
    • Feelin' Good, Yeah! (Lew Anderson Big Band) Sovereign (1989)
    • The Best of Woody Herman/The Concord Years (Woody Herman) Concord 1993
    • Ebony (Richard Stoltzman) RCA (1988)
    • Woody's Gold Star (Woody Herman) Concord (1987)
      (Grammy Nomination)
    • 50th Anniversary Tour (Woody Herman) Concord (1986)
      (Grammy Nomination)
    • My Buddy (Rosemary Clooney) Concord (1983)
    • World Class (Woody Herman) Concord (1982)
    • Live at the Concord Jazz Festival (Woody Herman) Concord (1981)

    TELEVISION/VIDEO

    • Tony Bennett with Love
    • Woody Herman's Big Band Celebration
    • The Holly and the Ivy (Natalie Cole
    • Big Bands at Disneyland (Woody Herman)

    JOHN FEDCHOCK PRODUCTIONS

    To add to his already diverse list of multiple talents, John Fedchock has established himself as an in-demand record producer in New York City. In addition to his own critically acclaimed albums, Fedchock has produced recordings for artists including Woody Herman, Frank Rosolino and Kim Pensyl, as well as numerous projects with a variety of jazz orchestras from New York City and across the U.S. His intricate understanding of the big band format has created a special niche for Fedchock as a producer. As a highly regarded arranger and bandleader, his firsthand knowledge of the inner workings of the jazz orchestra has given him an informed perspective necessary for the complex task of overseeing a large ensemble recording project. His relaxed demeanor and his focused attention to detail have proved to be beneficial elements in creating and maintaining a smooth and efficient production process free of unnecessary obstacles, enabling recording artists to devote themselves purely to their music. Fedchock's keen ears and studio expertise have also led many to enlist his talents as mix producer or post-production consultant, adding the essential finishing touches to their recordings' final stages. His technical knowledge and musical insight, along with his articulate, astute way with words has also made him a sought-after liner notes author, ultimately involving him in every aspect of CD production, from beginning to end.

    Contact:
    John Fedchock Productions
    32-06 37th St., D7
    Astoria, NY 11103
    tel: 718-626-0434

    WEBSITE: www.johnfedchock.com
    EMAIL: JFNYBB@aol.com


    PRODUCING/MIXING CREDITS

    Recording Title / Label Job
    • Live At The Red Sea Jazz Festival (John Fedchock NY Sextet) Capri (2010)
    producer
    • Up & Running (John Fedchock New York Big Band) Reservoir (2007)
    producer
    • Star Dust & Beyond (Dick Johnson Orchestra) Crazy Scot Records (2006)
    mix producer
    • The Last Recording (Frank Rosolino) SeaBreeze (2006)
    mix producer
    • Urban Soundscapes (New Yorkestra) (2002)
    mix supervisor
    • No Nonsense (John Fedchock) Reservoir (2002)
    producer/mix
    • Hit The Bricks (John Fedchock) Reservoir (2000)
    producer/mix
    • Kim Pensyl Quintet (Kim Pensyl Quintet) (1999)
    producer/mix
    • Live in London at Ronnie Scotts (Woody Herman Orchestra) NYJAM (1999)
    mix producer
    • Things For Now (Jim Knapp Jazz Orchestra) A Records (1999)
    producer/mix
    • In Good Company (George Rabbai) DBK Jazz (1998
    producer
    • Journeys (Dave Glenn Little Big Band) Dean Music (1998)
    producer/mix
    • On the Edge (John Fedchock New York Big Band) Reservoir (1998)
    producer/mix
    • Currents (Charles Pillow) A Records (1997)
    mix consultant
    • New York Big Band (John Fedchock) Reservoir (1995)
    producer/mix
    • Evanescence (Maria Schneider Jazz Orchestra) Enja (1994)
    production assistance, mix consultant
    • Feelin' Good, Yeah! (Lew Anderson Big Band) Sovereign (1992)
    mix consultant
    • Woody's Gold Star (Woody Herman) Concord (1987)
      (Grammy Nomination)
    musical coordinator, mix consultant
    • 50th Anniversary Tour (Woody Herman) Concord (1986)
      (Grammy Nomination)
    musical coordinator, mix consultant
    LINER NOTES
    • Live At The Red Sea Jazz Festival (John Fedchock NY Sextet) (Capri) 2010
    • Solo Bone (Samuel Blaser) (Slam) 2008
    • First Flight (Pete McGuinness Jazz Orchestra) (Summit) 2007
    • Seventh Heaven (Samuel Blaser Quartet) (Between The Lines) 2007
    • Muted BeBop (George Rabbai/Brian Betz) (Dream Box Media) 2006
    • Obscurity (Rick Simerly) (DoubleTime Jazz) 2002 | READ
    • Currents (Charles Pillow) (A Records) 1998
    • Gallery (Paul McKee) (Hallway Records) 1998 | READ
    • A Matter Of Time (New York Trombone Conspiracy) 1997


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